Thursday, August 14, 2014

Coaching Young Musicians On How To Hold A Violin Correctly

By Tanisha Berg


Western music is based on a small assortment of essential instruments, and the violin is one of them. It has been used in some form for more than one thousand years and is a common component of the most famous pieces of music. Its sound is known to a vast group of listeners. Those trying to learn how to play it should appreciate the importance of using the optimum technique, both in how to hold a violin correctly and in the actual production of the notes.

Some people may associate the violin specifically with older, classical music or with orchestras and classical ensembles. However, this is not an entirely accurate reflection of its presence. Nowadays, there are popular musicians who use it in their compositions. One of its most famous contemporary proponents is Vanessa Mae, who is a specialist on the instrument and typically plays a modern electric type.

It makes a good choice of instrument because it is relatively small and therefore easy to transport and pick up. Playing for prolonged periods is thus possible for children or physically diminutive people. It also has a very long lifespan, as is seen in the most prestigious brand, the Stradivarius. These violins were constructed more than 200 years ago, yet they are still the most expensive and respected make in the music sphere.

The correct technique in holding the violin is extremely important. This is due to two factors. Firstly, playing an instrument involves repetitive actions. If they are not performed correctly, injuries may result from the repeated strain of the incorrect grip or posture. Secondly, the violin's sound relies on the player's ability to produce the right notes by manipulating the strings. There are no frets or markings on its neck, so the easiest playing method requires the most appropriate stance and hand position.

The player traditionally holds the violin in their left hand, and plants its base on their clavicle. They may then sometimes use their lower jaw to keep the instrument in the same position, by pushing downwards on it slightly. The left hand works the strings to facilitate the notes in the music. This is not a simple physical stance to maintain and it requires practice and experienced tuition to master.

One frequent error is to apply too much pressure on the instrument with the jaw. This is done as an overcompensation when the instrument starts to slide off the shoulder. Musicians need to realise that it is passed around by the shoulder, jaw and left hand during playing. Putting too much jaw pressure on it results in an unsightly, awkward and incorrect playing position and will prevent successful rendition of the music.

The use of a shoulderpad may make the playing position easier to maintain. It is important that the pad is thin enough not to raise the violin to an inappropriate angle. The pad must also be abrasive enough to keep the varnished wood positioned on it. Generally speaking, players with broader shoulders need smaller pads, or none at all.

The right technique in playing any instrument is mandatory. Players who persist in poor technique develop obstructive habits that are hard to relinquish at a later stage. They may not even be able to play certain music unless they adopt the correct methods. Focusing on the correct technique ensures that the potential satisfaction and enjoyment of the instrument can be attained and shared.




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