For these Beats By Dre tour earbuds/earphones , the features like noise canceling and ability to pump out bass help you to isolate your mind away from the sounds coming from the real world around you. Setting the volume to a medium level will ensure that anything on the outside will have somewhat of a hassle getting between you and your music. With that being said now there are a few times when the earphones can't get the job done without causing just a bit of distortion.
We tested a number of types and genres of music and artists with the Studio over ear headphones and got some surprising results. When listening to Death Cab for Cutie's "Stay Young, Go Dancing", Ben Gibbard's vocals sounded a little deeper and lower than usual, almost as if the bass was masking his voice from coming in sharper. But when it comes to guitar heavy tracks, the bass-happy Beats do an impressive job at flushing out all the layers found even on songs that are more heavy on mids and high sides... in fact, something like "Monday Morning", again from Death Cabs Code's and Key's album. If you're not familiar with this song, just google it.
Now on the spectrum of lows and also tracks with a much deeper bass sound, you get songs like "Around the World" by Daft Punk and Madeons "Pop Culture" song, now with these you see, you can't help but force yourself to bob your head to the beats. It's very obvious that it is this style of dance and even hip hop that is what these particular set of earbuds were actually designed for and this type of music should be listened to with them, but for anyone who isn't a picky audio person, the in ear headphones are more than enough to get the job done on just about any music. But sometimes there are exceptions that anyone could notice easy. For instance, when listening to Foster the People's song, "Helena Beat".... it's an intro that is a bit messy and a little too much for the ear buds to handle as there's just too much emphasis on every single sound that it just sounds like a big ol', well, huge mess.
Songs are either a hit or a miss, and so very random that it's all dependant on the style, recording, and way that the instruments come into play with each other. For instance when listening to Come On, Come On's "Pop Fiction" it feels like there's just too much happening all at the same level of sound. When the back vocals start coming in, especially. But in other instances, like Never Shout Never's song titled, "First Dance", the Studio over ear headphones can easily take on Christoher Drew's vocals and all the back up lalalala's, drums, and even the ukelele like a piece of cake.
So in all in all, drums and guitar riffs can easily get jumbled together but it all depends on what you're listening to and which show off some of the headphones weaker side, though and that they are rare and far and in between for anyone who can give a pair of Monster Cable Dr. Dre Earphones Beats Tour some slack in the audio dept.
We tested a number of types and genres of music and artists with the Studio over ear headphones and got some surprising results. When listening to Death Cab for Cutie's "Stay Young, Go Dancing", Ben Gibbard's vocals sounded a little deeper and lower than usual, almost as if the bass was masking his voice from coming in sharper. But when it comes to guitar heavy tracks, the bass-happy Beats do an impressive job at flushing out all the layers found even on songs that are more heavy on mids and high sides... in fact, something like "Monday Morning", again from Death Cabs Code's and Key's album. If you're not familiar with this song, just google it.
Now on the spectrum of lows and also tracks with a much deeper bass sound, you get songs like "Around the World" by Daft Punk and Madeons "Pop Culture" song, now with these you see, you can't help but force yourself to bob your head to the beats. It's very obvious that it is this style of dance and even hip hop that is what these particular set of earbuds were actually designed for and this type of music should be listened to with them, but for anyone who isn't a picky audio person, the in ear headphones are more than enough to get the job done on just about any music. But sometimes there are exceptions that anyone could notice easy. For instance, when listening to Foster the People's song, "Helena Beat".... it's an intro that is a bit messy and a little too much for the ear buds to handle as there's just too much emphasis on every single sound that it just sounds like a big ol', well, huge mess.
Songs are either a hit or a miss, and so very random that it's all dependant on the style, recording, and way that the instruments come into play with each other. For instance when listening to Come On, Come On's "Pop Fiction" it feels like there's just too much happening all at the same level of sound. When the back vocals start coming in, especially. But in other instances, like Never Shout Never's song titled, "First Dance", the Studio over ear headphones can easily take on Christoher Drew's vocals and all the back up lalalala's, drums, and even the ukelele like a piece of cake.
So in all in all, drums and guitar riffs can easily get jumbled together but it all depends on what you're listening to and which show off some of the headphones weaker side, though and that they are rare and far and in between for anyone who can give a pair of Monster Cable Dr. Dre Earphones Beats Tour some slack in the audio dept.
About the Author:
C. L. Whidel is an award winning author of many online articles including Wholesale Beats By Dre Studio Headphones Review where you can buy 5 pairs for $489 or order at theinternetbiz.com which sells items like Beats By Dre Tour Studio Earbuds
